Intersection
150 x 140 x 5 cm
oil paint on canvas, LED screens, cables, processing unit, webpage
Beyond the sensuality of holes in a wall I believe even if a painting becomes a frame and a display attacks your eye it still works and if it does not you can always turn it off.
Towards elevating the local branches before the garden
140 x 140 x 220 cm
used commercially available tent, 4 custom LED lights, local branches;
A stool needs three legs to balance. A tent needs to be mobile. Time flies like an arrow, fruit flies like bananas, and a special thanks to my flatmate for providing the featured tent.
Towards elevating the local branches before the garden
140 x 140 x 220 cm
used commercially available tent, 4 custom LED lights, local branches;
A stool needs three legs to balance. A tent needs to be mobile. Time flies like an arrow, fruit flies like bananas, and a special thanks to my flatmate for providing the featured tent.
The wall behind the pond
180 x 150 cm
oil on canvas
I think it’s astonishing how an imaginary garden born in 2021 out of statistical regression is becoming increasingly real over time. I guess I’m a fan of unfinished, evolving works that impress with their neediness.
Insect-Water-Dance
digital video, color, sound, 60 sec
Traditionally the garden is defined by its borders. However, noise seeps through hedges and smell jumps over walls and light shines through fences and casts a shadow of doubt on whether my garden deserves more or less.
plot yield
220 x 180 x 10 cm
color pencil on paper, transfer print, pitchfork, dry grass
I think it’s quite radical to not disappoint an expectation. There is an elegance to the tension I get when I actually see what I want to see.
they drift mace paper underfoot but feeling solid don’t syntax crumble
on empty rodents animals murmur in half-broken “nothing moves”
they murmur motion crackle in the pause
whisper horse with half-empty tank
it speaks but exact “all fences in paper”
it insistingly “ paper fences is fences”
electric guitar vehicles hum under invisible rain
they hum but hum means love they watch us watch them
we watch the water, watching us back, we awaiting
what don’t name us paper floor fold the drift
360 x 170 x 50 cm
paper, sheet protectors, vintage toys, partially drunk liquor bottles
Here I always need to remind myself that what is what you see is all there is. Abuse can take many forms but I think in art Occom’s razor does not need to by applied rigorously.
Das Schwein
digital video, color, sound, 2 min 5 sec
I really think some objects have the potential to a special kind of synthesis. Not because they are particularly familiar but because they can perform as a perception conduit device, similar to a canvas.
https://www.brunoreinhold.org/video